Thread: Portraits on the Ursa Mini Pro G2| Sigma 18-35mm + Anamorphic | Natural & Fire light

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  1. #1 Portraits on the Ursa Mini Pro G2| Sigma 18-35mm + Anamorphic | Natural & Fire light 
    Senior Member Note Suwanchote's Avatar
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    Here are some different skin types on the Ursa Mini Pro G2 in natural (or what is at the location) lighting.

    Ursa Mini Pro G2
    Blackmagic RAW 8:1 and 12:1
    Natural lighting

    ANAMORPHIC 2x
    3072 x 1280
    ISCO Ultra Star Red

    Nikon 50mm E 1.8




    4608 x 2592 cropped
    Sigma 18-35mm 1.8






    Last edited by Note Suwanchote; 05-22-2019 at 02:21 AM.
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  2. #2  
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    Looking awesome, planning on getting the atlas orions? (as I presume the red isco solution workflow kinda sucks)
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  3. #3  
    Senior Member Note Suwanchote's Avatar
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    Quote Originally Posted by polaroid22 View Post
    Looking awesome, planning on getting the atlas orions? (as I presume the red isco solution workflow kinda sucks)
    I might test one out soon! I look their look. My friend is buying the 50mm so hopefully I can borrow it from him.

    Once you set the isco setup, it works like a standard lens—not too shabby.
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  4. #4  
    Senior Member DPStewart's Avatar
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    Wow. VERY nice.

    My personal favorite here is the Nikon 50mm E 1.8 frames.

    Great look.
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  5. #5  
    Senior Member Note Suwanchote's Avatar
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    Quote Originally Posted by DPStewart View Post
    Wow. VERY nice.

    My personal favorite here is the Nikon 50mm E 1.8 frames.

    Great look.
    Thanks!
    Need to find another one haha
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  6. #6  
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    How are you finding colouring the footage? I'd be curious to hear more about your workflow on the images above if you're open to sharing.
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  7. #7  
    Senior Member Note Suwanchote's Avatar
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    Quote Originally Posted by tremblingwater View Post
    How are you finding colouring the footage? I'd be curious to hear more about your workflow on the images above if you're open to sharing.
    Very easy to grade and extremely flexible!
    I shot in Blackmagic RAW 12:1 for the most part. One node specifically selects highlights and at the tail end there's film emulation via film convert + a node for black levels.
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