I would think the OP is referring to normalizing the film log footage as opposed to grading. I too find that a simple conversion lut is more than enough if footage is consistently shot. I'd like to know an easy way to do the basic conversion in premiere for the guys I work with. We shoot ProRes Film and they start editing right away on the camera originals, saving grading for the end, which I do in resolve, while hoping for the budget to pay a real coloristic ha ha. It would be cool if there was a non destructive lut that they could use for monitoring or rendering previews, but could be toggled off for pre mastering. Any suggestions, I'm not a premiere user myself..