He-he! It was fun!
Here is the original file:
And here is the grade:
He-he! I want to call it "From a sandbox to the war!" ©![]()
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He-he! It was fun!
Here is the original file:
And here is the grade:
He-he! I want to call it "From a sandbox to the war!" ©![]()
I love the way Adobe ACR doing that. But I limited to 2003 process now because of flickering in motion. It is not a big trouble but I miss per--channel curves a lot! Hope Adobe will fix this bug sometime. This way of CG is much easier than rendering a ton of files in Resolve. And by the other hand a lot of photographers can use ACR easily without digging of another complex software. Resolve wins when some tracking or dynamical windows needed.
Can I cheat, and make "grade my PNG" post?
Everyone here seems to know way more about grading than I do, which is: pretty much nothing.
I recently shot a music vid here in Tokyo at a restaurant and the only light I had was a small LED panel to light up the singer. The rest was the very-red restaurant lights. I think it looks not half bad with some of Film Convert's presets, but I'm wondering what the magical bmc community could do with it
https://dl.dropboxusercontent.com/u/...1.Still001.png
Here's my Day-for-night on one of Vic's military scenes....
Went for more of a suspense vibe rather than a classic action film grade.
My take:
day_for_night_military_graded.jpg
Original:
day_for_night_military_original.jpg
Resolve 11 Lite Process:
- RAW data adjustments (notch down exposure by 1 stop, switched to tungsten WB to add blue to image, popped mid level detail by a bit and clicked the "retain highlights" checkbox)
- BMDFilm to Lomo Color Implosion 21 CIN LUT
- nodes to grade: desaturation tweak, exposure tweak, vignette, skin tone tweak, more blue/green color
- Cineon to Kodak 2383 FPE (D50) LUT
resolve_flow.JPG
Hey here's one from a short we shot this summer that's being edited right now. I'll take a stab at one of the others myself tomorrow.
https://www.dropbox.com/s/okdzlt934j...01457.dng?dl=0
Not an easy one to grade this, I guess its down to where you are willing to compromise on colour. Balance the background and you have a green singer, balance the foreground and the band are dark and red. I have tried to split the difference here and give the singer a bit of separation.
Graded in R11, no power windows, just LGG and my lut.
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